Parataxonomy and Optical ambition
Microscopy of mountain land
ascospores sizes of all fertile crusts
slides and cover slips
ascus photomicrographs neatly
measured by graticule
each volcanic island, measured and compared
Vincent versus Lucia, unequal effort provides history for each hypothesis
a species concept for insularity
in the tropical heat, Soufriere’s whiff in a cauldron of lichenological creativity
Dominica’s thelotremes versus Guadeloupe’s, Martinique versus Grenada
An Atlas for a young intellectual’s eyesight.
Attached to a tree
Crustose blade attacks
Sovereignty transferred to a museum sector
types and standards measured immaculately
the taxonomic exploration for an island,
one genus and family at a time,
foretold in forests.
[On the scientific ambition of many years work]
The Dunsany’s Ending
Charon rowed his Pirogue mirthlessly across the Styx
The dull pains in his athletic arms ached and
his face grimaced at each passanger like they both had
for thousands of years of time.
The routine of fifty souls from the island a day had increased for a month
to thousands and then declined to almost none.
In a week without calls for crossings, his time weary aches eased and he thought
‘The ways of the gods of this time on the island were strange’
At the end of the journey across, one shadowy soul whispered
‘I am the last’. Charon concentrated on the final strokes ashore,
and with a withering swish of his oars, Charon smiled at him.
[After Lord Dunsany’s prose poem Charon, 1910]
Sundown at Marigot (continued)
Heat that warms your bones
Incandescent backbone aches melt away,
earlobe breezes startle irregularly,
your shadow shades the grass, denies them some evening pleasure
as a cloud crosses to melt the shadows away
Grass blade quivers, waiting until the fall of day
Look back at grey clouds, absorbing the sunlight like a sponge
fluffy and hey, I need to get back to Marigot some day
Pacing around, pencils clipboard bound
with a luminous brightness the clouds will release thee soon
while I wait, a few drops hiss on the hair on the back of my knuckle,
and others miss in their entireity
Mew heat to keep the spirit flowing
and calm, warm and glowing
would the clouds ever part
and give me a new blast from Icarus’ Inferno
to melt the waxes on skin
that a few moments ago I was sunbathing in.
Pacing works, movement allows
the reassignment of sun to your back
exercise and territorial tresspass
allow your shadow to shade the road
greenery released to double one’s pleasure.
May the tarmac boils subside while I am outside
getting a penetrating fourth verse
of a submission to Saint Somewhere
as a cloud whimsys away across
a blue azule backdrop.
For eventually I will get to Marigot
On one fine evening
The bone heats and ear sweats dribble,
while the draught of the tipple burns away at the gullet
as there is a verse to do.
May the sunshine in Marigot this evening
as I imagine it to.
[First verse posted on CLS, September 2012]
This is not a Mosquito
In Bed with Byron, writing in pencil
children are safe and the wit is instead.
Hail fair mirror where is dost cobweb
above your head saliently moved above the head board
preserved but moved acting with coughs similarly
tucked up in bedlam
the fly makes it across
Rain on the roof, a squib of a shower, the pencil chop sticks
alternate points keeping the writer hewn close to the sharpener
Oh – where is this going, this errant verse
matress sprung knuckles bouncing pencils crossed above
sprung in cotton, comfortable in bed
exhale what cotton what crisp comfort against the skin
a parable of a poet watching a fly traverse towards the cobweb
and exit stage left.
banded abdomen of a nematoceran fly with haltomeres
a dipteran cigar now rests on the sloping ceiling
in for the night as far from the light as is safe
knuckles spring thud in between the beat of the lines
writing is all in the head
what emerges on paper is just that, if it is let flow,
short words selected by texting
the little ways of saying shortly instead. Not a Mossie.
Longwinded maybe but longworded no
it is the style of the composition
that what you are used to allows
why don’t you write in Patois
and let us hear that voice
subsumed with explosive friccatives rupturing through your lips
It is hard to imagine the sound in a sweet carib voice
without the shortened syntax to go with the reading out loud.
The voice is so distinctive
it must have a metrical metre
to turn those ears around.
hark, listen to the phone conversation in the far room
drawing to an end in agreement over earlier daily rows
why does a fan of verse
worry how it will turn out
when all that matters is getting it written
and let others figure what it is about
writing a poem, some say,
this will do, hey
Number the page in the beginning
crosssed pencil slip in an extra s
excessm this metrical metre has
a caribbeanness, composed for a salon of salubriousness
where comment is stiffled by literary politeness
while a few rauckous members sribble away, posting notices of their output.
The reader counter is addictive
maybe you have to read it twice
we are all inveterate readers no matter what it is about !
Oh what whimsical fantasy is going to emerge
from this session of scribing
I must post my Dunsany
a place in the county of Meath
a poem with a chilling ending of a civilisation
Where is the draft I have written
dropped carefully on the floor by the bed
pencils write vertically while biros are disastrous in bed
What do you do when you run out of paper,
to put the composition in the writers atellier
a quick raid from the printer, keeps us going ahead
The rhythm of the writing to keep everything going smoothly along
rushing down the page in a different way,
puts the ache in the arm rather than on the hand grip.
The sound of the paper is thinner,
now that I have reached the last page
There are opposite sides to be covered
if one needs to go on.
The sound of scribing is a tonic to the soul before sleep
let us type it in in the morning and let us see where we get
encouragement is unnecessary for one with a voice
but welcome when it is not given in jest
for what a poet needs is just some acknowledgement
a few readers smiles as you struggle along digesting this
[Vikram Seth’s novel ‘Golden Gate’ is masterclass in prose poetry]